When I was at school I dreaded that look
“Get out your texts and your poetry book”.
First it was style and how it did scan,
Then it was rhythm and how the words ran.
Next it was meaning; the poet’s precision
And finally context and critical vision.
But why, oh! why reader dear
Couldn’t they make everything clear?
What was it for? Improving knowledge?
Learning ‘bout life at the poetry college.
Why not write in a simpler way?
Ditch the rhymes along the way.
Say what you want for me to read
Direct meanings to perceive.
It can’t be too hard to be more direct
Just cut out the poetry and leave what’s left.
But now I’m older, and a little wiser,
I too am now a word improviser
Communications’ now quite hard
Many channels avant-garde
‘Cos of all the various media
Radio, TV, Pod casts feed ya
Images, ideas, and content
Sometimes comic, sometimes hell-bent.
In one ear and out the other.
Like a baby to its mother,
We simply soak up what we want,
A kind of literary détente.
Just like poetry used to be,
Taking what is right for me.
Rhyming, scanning, meaning,
Wordplay, imagery and feeling.
It might be love or misbelieving
Could be evil or even dreaming.
The beauty of this style adore
If written well, we all crave more.
It’s like a drug; our senses it takes to happiness
The comfort of the rhymes our ears caress.
Like an old friend or stokéd cat
The rhymes possess us, and that is that.
The whole is greater than its parts;
Truly a zeitgeist of the arts.